![]() I’m used to opening Pro Tools for the first time after a new installation, and it always feels like a rather sluggish process as it loads all its features and analyses your plug-ins folder. When I first launched Nuendo 11, I was amazed at how quickly the application opened. First Impressions And Unexpected Features ![]() The whole process was quick an efficient, and after activating the license on the eLicenser I was ready to go. My first impression was thinking how much better this is than Avid Connect, although I haven’t tried the version released with Pro Tools 2021.6 - so I can only compare this to previous releases. You enter this in to the Steinberg Download Assistant, choose the software you want to download (this also lets you download other software such as SpectraLayers and add-ons for Nuendo) all in one place. First of all you have to register for a download with Steinberg, who then send you an activation code. Integrated tools such as panners and decoders for working with Ambisonics mixes (released with Nuendo 10) Integrated re-conforming tools when working with picture changes during a production along with Video Cut Detection Here are some of the features that Nuendo 11 features (some of which were added in previous versions) that I thought would be worth checking out:įully integrated ADM Authoring for Dolby Atmos Home Entertainment mixes What Features In Nuendo Make It Suitable For Immersive Workflows? Unlike products that use iLok, there’s no option for machine or cloud authorisation, so a physical USB key is required if you want to try out the demo. Luckily, I had an eLicenser key (Steinberg’s equivalent of an iLok) from when I previously demoed Nuendo, so didn’t need to buy one to demo version 11. I had demoed Nuendo before, when they released version 5.5, which was around the same time that Avid released Pro Tools 9 (if I remember correctly), so it’s been quite a while since I’ve even had Nuendo on my Mac, let alone actually use it. What finally made me decide to download the demo version this week was the article posted on Production Expert, which asks the question Is Steinberg Nuendo 11 The Solution For Dolby Atmos? After reading the article I decided I have nothing to lose by downloading the demo and seeing what I think of it. ![]() This made me think it might be worth taking a further look at, but after visiting the website again didn’t go any further. Then a few weeks ago, I received an email about an online seminar hosted by Netflix discussing Nuendo 11 and how it can be used for delivering immersive mixes using Dolby Atmos for Netflix content. I was aware of this release, but as a user of Pro Tools for the best part of the last 20 years didn’t pay it that much attention. If there is a feature for this (maybe it is called something else, but I have been able to find it) let me and the rest of us that pay your salary so you can take care of your family and buy expensive homes and cars, know.In this article Tom Lowe gives in to curiosity and downloads Nuendo to see whether it is a potential alternative to Pro Tools for him in his work in immersive audio.Īt the end of 2020 Steinberg released the latest update of Nuendo, their flagship DAW, with version 11. I can put as many lanes in Pro Tools, Logic Pro and many others that I want and they let me drag any audio I want into those. the min I drag another audio clip onto lets say lane 2 or 3 it deletes lane one and replaces the actual track with what I just brought in. I know this and you already know this but it doesn’t work. now I have a few versions of that same audio and I want to import them all into lanes on that track. I export the audio and then import the audio I just made in RX. I don’t send and return because there is a known error since Nuendo 10/RX 8. for example I’m using RX to clean up dialogue. I would love to know who I can talk to on your team to get features to work properly or have you create them to make this the new #1 used program in the world.įor starters I want to know why “LANES” are only able to be used for MIDI and loop recording? Why can’t I use the lanes to stack audio in general that I want on that track.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |